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But in the course of writing Gaudy Night, Sayers imbued Lord Peter and Harriet with so much life that she was never able, as she put it, to "see Lord Peter exit the stage".

Sayers also wrote a number of short stories about Montague Egg, a wine salesman who solves mysteries.

Sayers herself considered her translation of Dante's Divine Comedy to be her best work.

In Have His Carcase, the Playfair cipher and the principles of cryptanalysis are explained.

Her short story Absolutely Elsewhere refers to the fact that (in the language of modern physics) the only perfect alibi for a crime is to be outside its light cone, while The Fascinating Problem of Uncle Meleager's Will contains a literary crossword puzzle.

In Gaudy Night, Miss Barton writes a book attacking the Nazi doctrine of Kinder, Küche, Kirche, which restricted women's roles to family activities, and in many ways the whole of Gaudy Night can be read as an attack on Nazi social doctrine.

The book has been described as "the first feminist mystery novel." Sayers's Christian and academic interests are also apparent in her detective series.

Sayers later relied on his book when she composed the trial scene of Jesus in her play The Man Born to be King. Her collaboration with artist John Gilroy resulted in "The Mustard Club" for Colman's Mustard and the Guinness "Zoo" advertisements, variations of which still appear today.

One famous example was the Toucan, his bill arching under a glass of Guinness, with Sayers's jingle: ...

For example, the famous line usually rendered "Abandon all hope, ye who enter here" turns, in the Sayers translation, into "Lay down all hope, you who go in by me." The Italian reads "Lasciate ogne speranza, voi ch'intrate", and both the traditional rendering and Sayers' translation add to the source text in an effort to preserve the original length: "here" is added in the traditional, and "by me" in Sayers.

Also, the addition of "by me" draws from the previous lines of the canto: "Per me si va ne la città dolente;/ per me si va ne l'etterno dolore;/ per me si va tra la perduta gente." (Longfellow: "Through me the way is to the city dolent;/ through me the way is to the eternal dole;/ through me the way is to the people lost.") The idiosyncratic character of Sayers's translation results from her decision to preserve the original Italian terza rima rhyme scheme, so that her "go in by me" rhymes with "made to be" two lines earlier, and "unsearchably" two lines before that. suggests that, of the various English translations, Sayers "does the best in at least partially preserving the hendecasyllables and the rhyme." "...

" and continued to engage readers in eleven novels and two sets of short stories, the final novel ending with a very different "Oh, damn! Sayers once commented that Lord Peter was a mixture of Fred Astaire and Bertie Wooster, which is most evident in the first five novels.

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