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We’ll leave it for you to discover what we’re getting at, because “You’re Next” works best when characters turn the tables and expectations are upended. “It Follows” (2014) When you think of movies premiering at the Cannes, chances are you don’t think about supernatural teens-in-jeopardy chillers, but this year “It Follows” debuted in the Critics’ Week sidebar and by all accounts managed to be one of the highlights.

As directed by David Robert Mitchell (“Myth of the American Sleepover“), “It Follows” is many things —it’s a fairly on-the-nose metaphor for the dangers of promiscuity, a superb modern campfire tale, and a loose imagining of what would happen if the cast of “The Breakfast Club” banded together to fight a horrifying otherworldly evil. Mitchell captures the action in a series of queasy long takes, a welcome reprieve from the quick-cutting assault that helped define the “torture porn” slate of films, so the viewer is waiting for something terrible to happen instead of being bludgeoned with it; it’s artful and eerie at the same time.

At 123 minutes, the movie is a decidedly slow burn, but it ramps up to a rare (and essentially unguessable) twist that doesn’t totally discredit the rest of the movie.

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Eventually, the studio started to produce different types of films, and “Orphan,” an original chiller co-produced by Leonardo Di Caprio, might be the company’s very best film.

Helmed by Spanish stylist Jaume Collet-Serra, the film is an endlessly fascinating take on the “evil child” horror sub-genre, this time centered around a young couple (played by Vera Farmiga and Peter Sarsgaard) who, following the stillborn birth of their third child, decide to adopt an odd Russian girl named Esther (a haunting Isabelle Fuhrman).

So after much deliberation/arguing, we’ve picked out the 25 best horror films since the turn of the century.

Take a look at our picks below, and let us know your picks in the comments. “Orphan” (2009)Dark Castle Entertainment, the genre production arm formed by “Tales from the Crypt” principals Joel Silver, Robert Zemeckis and Gilbert Adler, started off by making above-average remakes of films originally produced by the king of gimmicky thrillers William Castle.

Directed by a pre-”Pirates of the Caribbean” Gore Verbinski, the film follows roughly the same plot as the original, with a journalist and single mother (Naomi Watts, who’d just broken out in “Mulholland Drive”) discovering that her niece has died a mysterious death, her body frozen in a position of horror.

Digging into the case, she finds that the death may have been linked to the urban legend of a mysterious video tape that causes the death of anyone who watches it after seven days.Even if you’re not a fan of this particular genre sub-set, it’s hard to argue with the effective and stylistic verve of “Orphan.” And even before the twist blows your mind, chances are you’ll already be shaken up. “The Ring” (2002) In the early 00s, J-horror was big news and Hollywood was quick to catch on, with studios greenlighting remakes of everything that had been even mildly successful in Asia with CW-friendly casts.For the most part, the results of movies like “Pulse,” “The Grudge,” “The Eye” and “One Missed Call” were disastrous, but the first of the batch, “The Ring,” was against the odds excellent.For the first category we have the winner of Yeah League, a.k.a. It was our largest submission in size by far and was downright pleasant to look at while exploring. We really enjoyed climbing over giant pixelated renditions of Yeah Jam Fury, based on sprites created by our very own SSF2 dev Friend Alias (a.k.a. And finally Kirbyrocket’s “Thinking Outside” stage was a mighty contender for Fury League.Just loading the stage in the builder caused our computers to chug, so this must have taken some massive amount of patience! It showcased a funky physics exploit that slipped under the QA radar (but honestly aren’t all bugs just features? The stage layout really threw us for a loop at first, but we are Yeah Jam Fury masters!

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