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Nudity and sex officially entered Japanese cinema with Satoru Kobayashi's controversial and popular independent production Flesh Market (Nikutai no Ichiba, 1962), which is considered the first true pink film.

In the 1970s, some of Japan's major studios, facing the loss of their theatrical audience, took over the pink film.

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The first kiss to be seen in Japanese film—discreetly half-hidden by an umbrella—caused a national sensation in 1946.

Nevertheless, until the early 1960s, graphic depictions of nudity and sex in Japanese film could only be seen in single-reel "stag films," made illegally by underground film producers such as those depicted in Imamura's film The Pornographers (1966).

Mainstream pornography did not arrive in Japan until the advent of Pink film.

Erotic films were called "pink film" because the color pink carries erotic and feminine connotations with the Japanese who associate pink with a woman's vagina.

Following the aesthetics of everyday life, Edo period shunga varied widely in its depictions of sexuality.

In the Edo period it was enjoyed by rich and poor, men and women, despite being out of favour with the shogunate.A frequent locus of misconceptions in regard to Japanese sexuality is the institution of the geisha.Rather than a prostitute, a geisha was a woman trained in arts such as music and cultured conversation, who was available for non-sexual interactions with her male clientele.Japanese pornography has gained a worldwide following and is frequently translated and exported to other cultures because of its large spectrum of themes and media.However, critics state that the lolicon genre of seijin manga, wherein childlike females are depicted in an erotic way, contributes to sexual abuse of children, Prostitution has existed in some form throughout Japan's history.The adult manga/anime medium carries its own distinct subgenres as well.

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